課程資訊
課程名稱
 哥德風格的復興：文學與建築
The Gothic Revival: Literature and Architecture 
開課學期
 100-2 
授課對象
 文學院  外國語文學研究所  
授課教師
 吳雅鳳 
課號
 FL7216 
課程識別碼
 122EM3190 
班次
  
學分
 3 
全/半年
 半年 
必/選修
 選修 
上課時間
 星期一@,5,6(~14:10) 
上課地點
 外文會議室 
備註
 本課程以英語授課。第二類。
限碩士班以上
總人數上限：15人 
Ceiba 課程網頁
 http://ceiba.ntu.edu.tw/1002gothic_revival 
課程簡介影片
 
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課程概述

課程編號:122 M3190 哥德風格的復興：文學與建築
教師: 吳雅鳳 

課程目標
  
課程要求
  
預期每週課後學習時數
  
Office Hours
 另約時間 備註： Please make appoinment with me via email. 
指定閱讀
  
參考書目
  
評量方式
(僅供參考)
    
課程進度
週次
日期
單元主題
Week 1
 2/20  General Introduction: Gothic Architecture and its Revival
Video viewing: Cathedral

 
Week 2
 2/27  Holiday 
Week 3
 3/05  Gothic Revival I;

1. Mallgrave, Harry Francis, ed. An Anthology from Vitruvius to 1870. vol. 1. Oxford: Blackwell, 2006. 362-389. [PDF uploaded] (密集NA2500 A7115 2006 v.1)
2. Lovejoy, Arthur O. “The First Gothic Revival and the Return to Nature.” Modern Language Notes 47.7 (Nov. 1932): 419-46. [PDF uploaded]
3. Leach, Neil, ed. Rethinking Architecture: a Reader in Cultural Theory. London: Routledge, 1997.
[e-book available *Please download (and print, if you wish) for yourself: [with altered page numbers] <http://lib.myilibrary.com/Open.aspx?id=28034&loc=&srch=undefined&src=0>]
Introduction xiii-xxi
Benjamin 25-41
Bachelard and Heidegger 86-124
Lefebvre 139-46
Eco 182-204
 
Week 4
 3/12  Gothic Revival II;

1. Helsinger, Elizabeth K. “History as Criticism.” Ruskin and the Art of the Beholder. Cambridge, Mass.: Harvard UP, 1982. 140-63 (+notes 318-20). [Xerox]
2. Silver, Sean R. “Visiting Strawberry Hill: Horace Walpole’s Gothic Historiography.” Eighteenth-Century Fiction 21.4 (Summer 2009): 535-64. [PDF]
3. Baridon, Michel. “The Gothic Revival and the Theory of Knowledge in the First Phase of the Enlightenment.” Exhibited by Candlelight. Sources and Developments in the Gothic Tradition. Ed. Valeria Tinkler-Villani, et al. Amsterdam: Rodopi, 1995. 43-56. [Xerox]
4. Crook, J. M. “Ruskinian Gothic,” The Ruskin Polygon. Essays on the Imagination of John Ruskin. Ed. John Dixon Hunt and Faith M. Holland. Manchester: Manchester UP, 1982. 65-93. [Xerox]
 
Week 5
 3/19  Pugin I: Contrasts;
1. Pugin, A. W. N. Contrasts: or, A Parallel between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day: Shewing the Present Decay of Taste. 2nd ed. 1841. Leicester and New York: Humanities Press, 1969. [Xerox]
2. Wagner, Corinna M. “‘Standing Proof of the Degeneracy of Modern Times’: Architecture, Society, and the Medievalism of A. W. N. Pugin.” Beyond Arthurian Romances: The Reach of Victorian Medievalism. Ed. Lorretta M. Holloway and Jennier A. Palmgren. New York: Palgrave Macmillan, 2005. 9-37. [Xerox]
3. Lankewish, Vincent A. “Victorian Architectures of Masculine Desire.” Nineteenth Century Studies 14 (2000): 93-119.[xerox]
4. Patrick, James. “Newman, Pugin, and Gothic.” Victorian Studies 24.2 (Winter 1981): 185-207. [PDF]
 
Week 6
 3/26  No class 
Week 7
 4/02  John Ruskin I: Seven Lamps of Architecture;
1. Ruskin. Seven Lamps of Architecture [Xerox]
2. Helsinger, Elizabeth. “Ruskin and the Politics of Viewing: Constructing National Subjects.” Nineteenth-Century Contexts 18.2 (1994): 125-46. [PDF]
3. Brooks, Michael W. “Describing Buildings: Ruskin and Nineteenth-Century Architectural Prose.” John Ruskin and Victorian Architecture. New Brunswick: Rutgers UP, 1987. 61-74. [Xerox]

 
Week 8
 4/09  Ruskin II: The Stones of Venice;

1. The Stones of Venice, vol. 1 [Xerox]
2. O’Gorman, Francis. “Ruskin’s Aesthetic of Failure in The Stones of Venice.” Review of English Studies: The Leading Journal of English Literature and the English Language 55.220 (June 2004): 374-91. [PDF]
3. Casaliggi, Carmen. “Lessons of Multiple Perspectives: Ruskin, Turner and the Inspiration of Venice.” Ruskin in Perspective: Contemporary Essays. Ed. Carman Casaliggi and Paul March-Russell. Newcastle: Cambridge Scholars Publishing, 2007. 177-98. [Xerox] 
Week 9
 4/16  Ruskin III: The Stones of Venice;

1. The Stones of Venice, vol. 2 [Xerox]
2. Chatterjee, Anuradha. ‘Tectonic into textile: John Ruskin and the changing meanings of wall and ornament.’ Textile: the journal of cloth and culture (2008). [PDF]
3. Swenarton, Mark. “Ruskin and ‘The Nature of Gothic.” Artisans and Architects: the Ruskinian Tradition in Architectural Thought. Macmillan, 1989. 1-31. [Xerox]
 
Week 10
 4/23  Ruskin IV: The Stones of Venice;

1. The Stones of Venice, vol. 3 [Xerox]
2. Siegel, Jonah. “Black Arts, Ruined Cathedrals, and the Grave in Engraving: Ruskin and the Fatal Excess of Art.” Victorian Literature and Culture 27.2 (1999): 395-417. [PDF]
3. Bullen, J. B. “Ruskin, Venice, and the Construction of Femininity.” Review of English Studies 46 (1995): 502-20. <http://res.oxfordjournals.org/archive/>. [PDF]
 
Week 11
 4/30  William Morris I: arts and crafts movement;
1. Morris, William. “The Lesser Arts” and “Art under Plutocracy.” William Morris on Art and Socialism. Ed. Norman Kelvin. New York: Dover, 1999. vii-xii; 1-18; 108-127. [Xerox]
2. Livesey, Ruth. “William Morris and the Aesthetics of Manly Labour.” Socialism, Sex and the Culture of Aestheticism in Britain, 1880-1914. Oxford: Oxford UP, 2007. 18-43. [Xerox]
3. Swenarton, Mark. “The Architectural Theory of William Morris.” Artisans and Architects: The Ruskinian Tradition in Architectural Thought. New York: St. Martin’s P, 1989. 61-95. [Xerox]

 
Week 12
 5/07  Morris II: architecture;
1. Morris, William. William Morris on Architecture. Ed. Chris Miele. Sheffield: Sheffield Academic Press, 1996. 52-55; 99-121; 126-156. [Xerox]
2. Jones, Peter Blundell. “Architecture as Mnemonic: The Accumulation of Memories around Morris’s Red House.” Nineteenth-Century Contexts 21.4 (2000): 513-40. [Xerox]
3. Waithe, Marcus. “The Stranger at the Gate: Privacy, Property, and the Structure of Welcome at William Morris’s Red House.” Victorian Studies 46.2 (Summer 2004): 567-95. [PDF]
 
Week 13
 5/14  Morris III: News from Nowhere;

News from Nowhere or an Epoch of Rest. Being Some Chapters from “A Utopian Romance.” 1890. New York: Dover Publications, 2004.
1. News from Nowhere Introductory note; chapt. 1-15 [Xerox]
2. Hildebrand, R. Jayne. “News from Nowhere and William Morris's Aesthetics of Unreflectiveness: Pleasurable Habits” English Literature in Transition, 1880-1920 54.1 (2011): 3-27. [PDF]
3. Waithe, Marcus “The Laws of Hospitality: Liberty, Generosity, and the Limits of Dissent in William Morris’s ‘The Tables Turned’ and ‘News from Nowhere.’” The Yearbook of English Studies 36.2 (2006): 212-229. [PDF]
 
Week 14
 5/21  Morris IV: News from Nowhere;
1. News from Nowhere Chapt. 16-3 [Xerox]
2. Belsey, Andrew. “Getting Somewhere: Rhetoric and Politics in News from Nowhere.” Textual Practice 5.3 (Winter 1991): 337-51. [PDF]
3. Boos, Florence S. “News from Nowhere and Victorian Socialist-Feminism.” Nineteenth-Century Contexts 14.1 (1990): 3-32. [PDF]

Paper Proposal due 
Week 15
 5/28  Interview on proposals of term paper 
Week 16
 6/04  mini-conference 
Week 17
 6/11  Writing up  
Week 18
 6/18  Paper submitted and individual interview